![]() MM: Dunlop’s Fuzz Face Hendrix marked me completely, but then theĮHX’s Russian Big Muff (Black one) changed me in every way. It’s extremely versatile and not so white anymore. Think the smooth fuzz of “Happiness Is A Warm Gun” to the rawness of “Helter Skelter” in a pedal. That pedal is my baby.ĭG: Jake lets me use this pedal he has that’s made by Jext Telez called “ The White Pedal” and it replicates all the overdrive and fuzz sounds found on The White Album supposed to mimic different tones on those old Vox Conquerer amps. I’ve never played a pedal with so much character before, and its big knobs make it easy to adjust with my foot during a show. JP: Death By Audio’s Fuzz War, unquestionably. ![]() Was there a specific pedal (or two) that kind of changed your life? I definitely loved the Rat from the beginning. MAURICIO MARTÍNEZ (bass/back vox) : I was like 9, one of my older cousins is really into metal so he used to have a Boss Distortion pedal and a ProCot Rat. My mom just recently sent me a photo of me holding it proudly on Christmas morning, coincidentally… I think I might have been in 6th or 7th grade. JAKE PFLUM (guitar/back vox) : My first pedal was a Boss DS-1 Distortion. How old were you and what did you stomp on?ĭANNY GOMEZ (vox/guitar): Boss DS-2 when I was 13/14, I was listening to a lot of “ In Utero” at the time. It is gorgeously balanced, complex, and probably the thickest-sounding sustaining fuzz pedal we have ever heard! Controlsįor any technical questions regarding this build don’t forget to check out our Facebook Group and our forum at Free Stomp Boxes.Tell us about your first time with… a guitar pedal. This pedal comes with four knobs that allow it to create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. The limited-edition Thee Ffuzz Warr Overload has all that brawn you could ever want from a Muff, but with the addition of a rich and present midrange that is rarely strident or overpowering. In the hands of Death by Audio, the Supa Tone Bender template was twisted into an even more powerful circuit while maintaining the four-transistor, three-knob-level, gain, and tone-control configuration used by most Muff-type pedals. The point of departure for the original Fuzz War circuit is the Supa Tone Bender, a Colorsound-branded Big Muff design that was, in many ways, a louder, nastier version of the mythical Big Muff. The Ffuzz Warr Overload is what happens when Fuzz War meets treble boosted, giving birth to the ultimate tool for unleashing your inner fuzz beast. That is why fuzz lovers worldwide got excited when hearing that the Death by Audio crew, with the help of John Dwyer (of Thee Oh Sees), had an even more brutal fuzz machine in mind. ![]() Since its introduction in 2010, Death by Audio’s Fuzz War has quickly become THE fuzz of the underground and a modern fuzz classic in its own right. ![]() Continuing the Fuzz War saga but going a step forward into distortion insanity, the limited edition Thee Ffuzz Warr Overload delivers even more fuzz with an added Boost control that changes the treble character response of the pedal. The ultimate fuzz is here! Introducing Death by Fuzz IV – This update of the Fuzz War platform is the golden mean between a Sovtek Muff and a Tone Bender making the pedal that can take your sound to new heights of fuzzdom!ĭeath By Audio, the brand responsible for such sound mangles as the Audio Reverberation Machine and Echo Dream 2 Lo-Fi Delay, did it again and took the fuzz pedal design to new extreme territories. ![]()
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